Aleta Pippin painting in collectors home

Aleta Pippin’s The Ripple Effect in a collector’s home.

(By Aleta Pippin) You’ve just looked around your home and realize there’s something missing, something that has the power to make your décor pop. We’re talking about art. The right pieces will literally move your décor from “okay” to fantastic. So, how do you begin? Where do you look for the “right” pieces? And just exactly what are the “right” pieces anyway?

If you’re like many people, purchasing art can prove a bit overwhelming. Here are some tips to guide you, as you search out that perfect piece(s) of art, the one that will give your home that “drop dead” gorgeous look.

First, there are a few myths that need to be debunked.

Hooper in Collector's Home

Cody Hooper’s Summer Song hanging in a collector’s home in Texas.

Myth 1: Art should match your sofa.

Great art looks good anywhere. It doesn’t have to match your sofa. Of course if you’re getting ready to purchase a piece to be placed in a certain area, you may want to consider the color and find a piece that enhances it. However, don’t make your purchasing decision based solely on such strict criteria. Remember, if you do purchase an original piece of art, it will stay with you long after the sofa has changed, the walls have been repainted, and you’ve even relocated two or three times.

Myth 2: Original art is a good investment.

It seems to be a common line in many galleries, to tell potential buyers that purchasing an original piece from an up and coming artist is a great investment. They’ll tell you that the artist’s prices have risen steadily over the years or that the artist is just on the brink of making it big. All of that may be true. However, unless you know people who are interested in purchasing art, you will not be able to resell your investment piece and make a profit. The only people who really make a killing in the art market are those who purchased Picasso 50 years ago.

The best reason to purchase an original piece is because you love it. I have several original pieces from other artists in my home, which were purchased because I loved them. (And yes, they are up and coming artists whose prices have risen steadily over time.)

To say that you should love a piece is not an understatement. Art should evoke an emotional response. That response may be from the color, composition, or even something intangible like reminding you of a poignant happening in your life.

Cody Hooper

Cody Hooper’s Distant Drums in a collector’s dining room.

Myth 3: My child could have painted that abstract piece.

Yes, children paint wonderful pieces, but to suggest that a child can produce some of the beautiful abstract work that is in the market is dismissing artists’ creativity too quickly. Actually, most abstract artists learn to draw and to paint representational work before they evolved to abstract work. All good art conforms to guidelines of line, shape, form, atmosphere, design, and rhythm. Each artist finds their voice, much the same as a writer, and that voice may express in paint, sculpture, stained glass and on and on. And in each of those categories, there is a myriad of expressions limited only by the artist’s imagination.

 

 

You’re Ready to Purchase

Before you go shopping, stop and consider a couple of things – Do you want to purchase an original piece of art or a retail piece and how much money are you willing to spend?

Originals vs. Reproductions

There is one thing that drives many artists crazy…reproductions made to look like originals. There are plenty out there. They’re those “paintings” you find in department stores, flea markets, even retail outlets in the malls. Of course, these paintings are fairly inexpensive in the $75-$400 price range. Just don’t mistake them for original pieces. A good rule of thumb is that you should be able to see the “hand of the artist” in an original piece.

Giclees have been extremely popular. A giclee is a computerized reproduction of an original piece that is usually “printed” on canvas. Some artists, or their employees, paint into this reproduction, giving it the texture and look of an original piece. Usually these pieces are numbered in the lower corner, like any reproduction, so there’s no question in the buyer’s mind.

Giclees are good buys if you’d like to have a piece that looks like an original, at a lower cost. It’s also a way of collecting the work of an artist you like, but an original is out of your chosen price range. (Not all artists agree with mass production and will not produce giclees.)

However, nothing matches the beauty of an original piece of art. If you’ve decided to go that route and have designated the amount of money you’re willing to invest, you can probably find a piece. It may take a little doing but it will be worth it. Visit the Internet. Check out the local galleries. Talk to friends who have artwork you admire.

Aleta Pippin and Rick Stevens

Aleta Pippin’s Momentum (right) hanging with a Rick Stevens painting in a Houston collector’s home.

Blue Arc by Greg Reiche

Blue Arc by Greg Reiche, commission steel and glass sculpture Blue Arc in a local New Mexico home.


What to look for in art?

Are you looking for a certain color, a certain pattern or even a certain size? If you’re purchasing an original, you should love it. If you’re purchasing art purely to finish the décor in your home, then you’ll want to find pieces that enhance the décor. There are several retail outlets that sell reproductions and prints, many already framed – Target, Hobby Lobby, Overstock.com just to name a few.

Why not spend a day looking at the various options. Check out local galleries, as well as the retail outlets. You may decide to purchase an original after you see all of the wonderful art that is available. And don’t forget the outdoor Art Festivals; these are a wonderful way to connect with an artist and to purchase an original piece.

If you choose to purchase an original, do a background check. Ask about the artist’s career, sales history, and make an intuitive assessment of the integrity of the person trying to sell the piece to you. Personally, I think original work truly adds to the quality of any environment.

Have fun with this. Take your time. The right piece will show itself. And it’s worth finding it, because art will add sizzle to your décor.

© 2002 by Aleta Pippin, abstract painter. Visit her web site at www.aletapippin.comUpdated 4/7/2015.

 

Art openings, summer days, artists studios, and more…enjoy this week in photos and follow us on Instagram @PippinContemporary for more Pippin Pics.

The Art and Soul of Color at Pippin Contemporary

Santa Fe’s Summer of Color is off to a great start! The Art and Soul of Color opened last Friday evening at the gallery with a great reception for Suzanne Wallace Mears and Stephanie Paige. Come experience this ethereal exhibition of light and color through July 1st.

Pippin Contemporary courtyard

The view from our front porch on a beautiful Santa Fe summer day.

Michael Ethridge studio

Michael Monroe Ethridge’s art studio in Naples, Florida. Michael has been busy in this creative space preparing for his show, The Art of Emotion, opening next weekend! Don’t miss the reception on July 3rd, 5-7pm, and see Michael paint in front of the gallery for the duration of the exhibit.

This week at Pippin Contemporary we watched artists paint on Canyon Road, hung new art in the gallery, and visited with our friends from American Art Collector Magazine. Check out our week in photos and follow us on Instagram @PippinContemporary for more behind-the-scenes Pippin Pics!

Cody Hooper Art at Pippin Contemporary

Cody Hooper paid us a visit on Saturday with these stunning paintings full of energy and light. We hung six new pieces in the gallery – visitors keep commenting on their depth, saying that peering into his panels is like entering another world.
Canyon Road Passport Quick Draw

Local artists lined the street on Canyon Road for the Passport to the Arts Quick Draw, where they created beautiful works of art in a short time frame. The paintings were then sold at a live auction benefiting the Santa Fe Public Schools Music Education Program.

Mode by Troy Pillow at Pippin Contemporary

New sculpture! ‘Mode’ by Troy Pillow is a contemporary stainless steel piece with kinetic elements.

American Art Collector Party

Gallery Director Ashley Wilson and Marketing Director Kelly Skeen at the Art Collector Magazine party at the beautiful La Posada. Always a great event with the Santa Fe art community..and with great hosts!

Greg Reiche at Pippin Contemporary

Greg Reiche brought several new Bloom sculptures in preparation for his upcoming show, “Into the Wind,” opening next Friday. More new pieces are on the way – and big things will be happening to our courtyard! Don’t miss the opening reception, Friday, May 22nd, 5-7pm.

A public sculpture dedication, new paintings, and excitement for our upcoming show this month..Check out our week in photos and follow us on Instagram for more Pippin Pics @PippinContemporary.

Aleta Pippin art at Pippin Contemporary

Aleta Pippin brought in several new paintings from her studio that we hung in the gallery. This piece is called Celebrate Color, a 60″ x 36″ oil/canvas. Come visit the gallery to see Aleta’s other new pieces!

Greg Reiche Public Sculpture

We spent Earth Day in Los Alamos for the grand opening of the new Nature Center where Greg Reiche’s sculpture was dedicated. The rain runoff from the roof cascades onto the stone, then goes into a reservoir that waters surrounding plants, while kinetic glass above it changes with light and air movement. A stunning sculpture and a beautiful Earth Day dedication ceremony. Watch this video of Greg sharing his inspiration for the piece.

Greg Reiche Blog

Greg Reiche’s Los Alamos sculpture was a site-specific commission, something that Greg does often for private and public clients. As part of our Contemporary Collector blog series, we talked to Greg about creating site-specific sculpture and how the commission process works. Read about it here.

Desert Rain by Cody Hooper at Pippin Contemporary

We love Cody Hooper’s artistic depiction of the “Desert Rain” we had this week. We’ve been sharing some paintings on Instagram from our artists that aren’t always hanging in the gallery or not yet added to the website..follow us @PippinContemporary for more “first look” opportunities.

Pippin Contemporary in Santa Fe New Mexico

We’re ready for Santa Fe summer – less than three weeks until our first show and then the Summer of Color begins! We’re extending our hours on Friday evenings and preparing for summer exhibitions, so check our events page for a full exhibition schedule.

This week at Pippin Contemporary has been full of sunny spring days, sales, and new sculpture. Check out our week in photos, and find us on Instagram at @PippinContemporary to follow our Santa Fe gallery life on Canyon Road!

Photo Apr 01, 9 13 32 AMStephanie Paige sent us some great photos from her California studio – here she works hard on a piece from her new Zen Garden Series, using actual leaves pressed into the plaster. We’ll be showing her Zen Garden paintings this June at the gallery.

Photo Apr 03, 12 43 15 PMAre you familiar with Greg Reiche’s Bloom sculptures? He’s now added a new dimension to the kinetic glass style with a three-panel screen, the only one of it’s kind. Come check it out in the gallery, it’s been bringing in colorful light from outside as well as a few Canyon Road window shoppers..

Photo Mar 22, 12 59 43 PMSpring has sprung in Santa Fe! Beautiful blooms against adobe and turquoise architecture make Canyon Road an even more enjoyable experience for our out of town visitors (and locals too, of course).

Photo Mar 26, 11 59 26 AMArt close up! This detail of Stephanie Paige’s “Love” shows the cracking textural details created with dry weather and plaster. Not only does nature inspire Stephanie’s work, it dictates the physical outcome of every piece.

Processed with VSCOcam with c1 presetSOLD! “Pose” by Troy Pillow went home with a Colorado couple who fell in love with the fluid sleek sculpture. It was a beautiful day to enjoy outdoor art on Canyon Road.

Photo Mar 31, 12 53 53 PMNew sculpture is coming – Greg Reiche came by the gallery to plan a new piece for the courtyard. He said this one was going to blow everyone away..we can’t wait for the installment!

Photo Apr 03, 4 30 35 PM

We received several new sculptures from Guilloume including this wall relief, “Family Growth.”

The painting is monumental, taking up about a six by ten foot space on the museum wall; a space that now dances and swirls with brilliant color and untraceable abstraction. Straight and curved lines along with varied shapes of vivid color mingle on the canvas to create a haphazard, almost theatrical, experience. Taking in the piece, your eyes dart from side to side, top to bottom, trying to make sense of the colliding figures and colors. Finally you discover a central form, an oval, which seems to act as the eye of a compositional hurricane, surrounded by swirling color and form.

composition 7

“Composition VII,” Wassily Kandinsky, 1913

The piece is “Composition VII;” its creator, Wassily Kandinsky. It hangs on the bright white walls of the Los Angeles County Museum of Art in 1995 along with only fourteen other Kandinsky paintings, together making up the exhibition “Kandinsky: Compositions.” In front of the painting stands an awestruck Aleta Pippin, attempting to memorize the active bursts of color that seem to radiate Kandinsky’s energy.

“Though only fifteen paintings were displayed, I was thrilled that we went to see the show,” said Pippin. “Pictures of art never do justice to the real thing. Seeing Kandinsky’s paintings in person was inspiring to say the least.”

Pippin had begun painting just a few years earlier in 1992, and like Kandinsky, she started out creating representational work. Her paintings mostly consisted of portraiture, although the desire for abstraction seeped through in the blurring color that occupied the backdrops of her paintings.

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Early representational portraiture by Aleta Pippin.

For Kandinsky, the transition into abstraction came in the early 1900s through a series of sparked inspirations, one of which was an 1896 Claude Monet exhibit in Moscow. He was astounded by “Haystacks at Giverny,” a series of Monet’s paintings depicting impressionistic haystacks in fields near Monet’s home in Giverny, France. Kandinsky later writes about his reaction to the work:

haystacks monet

“Haystacks at Giverny, the evening sun.” Claude Monet, 1888.

“It was from the catalog I learned this was a haystack. I was upset I had not recognized it. Dimly I was aware too that the object did not appear in the picture. And I noticed with surprise and confusion that the picture not only gripped me, but impressed itself ineradicably on my memory. Painting took on a fairy-tale power and splendor.”

Another push towards abstraction for the Russian artist, who is credited as being the first purely abstract painter, came from looking at his own work in a different light. One night when Kandinsky came home to his studio, he was enchanted by a painting he did not recognize. After a closer look, he realized it was his own piece lying on its side. Kandinsky recognized that subject matter lessened the impact of his paintings, and from that point on he began removing it from his work. This would eventually earn him the title of “the father of abstraction,” and “pioneer” of the Abstract Expressionist movement.

Color Abounds by Aleta Pippin at Pippin Contemporary

“Color Abounds” by Aleta Pippin, oil/canvas, 30×30″

For Aleta Pippin, the move toward abstraction resulted from a desire to experiment with imagery, color, and various media. She relates to Kandinsky’s epiphany of removing the subject matter for a more timeless and freeing composition.

“When someone views a painting containing subject matter, there is a reaction based on their relationship to that subject,” explains Pippin. “If they’re viewing an abstract painting, they have the opportunity to consider it on a deeper level, for instance, simply enjoying the color or perhaps analyzing the artist’s message.”

Kandinsky, also a renowned art theorist, took a spiritual approach to his work, analyzing the effects of color on the mind and soul. In his book, “Concerning the Spiritual in Art,” he explored his theory that color can create an “inner resonance” with the viewer by provoking a sensory experience within their soul.

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Left: “Riding the Range,” Aleta Pippin, acrylic/canvas, 36×36.” Right: “Improvisation 26,” Wassily Kandinsky, oil/canvas, 1912.

To say Kandinsky was a “colorist” is an understatement; he devoted his life to it, which is why Pippin couldn’t look away as she stood before his paintings in LACMA on that June afternoon in 1995. Her work thrives on color and has a similar spiritual bent. “I believe that true art comes from within; color is central to my individual expression,” says Pippin.

Dancing through the Seasons o-c 48x40 High Res

“A Tribute to Gerhard Richter..Dancing Through the Seasons,” Aleta Pippin, 48×40″ oil/canvas

The trickling effect of artists inspiring artists is how art movements are born, with creative leaders carrying the influence of master artists that came before them. For Pippin, inspiration comes from artists living and dead who appreciate a sense of color along with timeless and spiritual interpretations of abstract ideas. The visual expressions of Gerard Richter and Claude Monet have directly influenced Pippin’s paintings, and abstract expressionists like Kandinsky, Rothko, and de Kooning serve as an overall inspiration to her painting style.

With these artists as her guides, Pippin creates liberating works of art with an intuitive use of color and energetic freedom. See her vibrant abstractions hanging at Pippin Contemporary for your own interpretive experience, or find them on her artist page of our website.

When walking around the bright and airy studio where Aleta Pippin creates her lively abstract paintings, she often stops mid-sentence to notice a spot of vibrant red, subtle blue or energetic yellow on one of her canvases.

“I just love the color in that piece,” she suddenly interjects.

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Aleta Pippin’s studio, Santa Fe, New Mexico

It’s not hard to detect that Pippin is a colorist; she’s quick to tell you how much she loves color and this fascination is easily apparent in her work. While her artistic process is spontaneous and her work created without premeditation, she does notice continuous changes in her style, technique, and, of course, use of color. She thrives on artistic experimentation, which keeps her work fresh and exciting to collectors and to her as a creator. However, she also periodically spends time reevaluating where she’s been and how her career is artistically progressing, while also still maintaining a consistent style that is true to her body of work.

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A work in progress in Aleta’s studio. Notice the painting on the easel.

Energy Abounds by Santa Fe abstract artist, Aleta Pippin

This is the completed painting – Energy Abounds by Aleta Pippin, oil on canvas, 48×48 inches.

 

“This time of year, I start to assess what I’m doing and why I’m doing it,” explains Pippin. “I ask myself if I’m going in a direction I want to continue.”

circleoflife_lg

Circle of Life created 2012

In the past several years, Pippin has been subconsciously directed towards a “softer” color palette as she calls it, shifting away from the saturated primary colors that typically permeated her canvases. While she still uses bold red, yellow and blue hues, she has started mixing softer, muted colors on the canvas that give her work a more complex feel.

“Besides being experimental, what I offer is color,” says Pippin. “That’s always the feedback I get from collectors and people who view my work – that they love the color. So that’s where I am right now, I’m working in more color blends than staying with primaries.”

Since Pippin allows her present emotions to dictate her paint, she can’t pinpoint the exact moment when shifts in her work began to happen. She guessed the color palette altered when she started working on smaller panels in acrylic, but can’t assign the beginning of the transition to any single piece or moment of revelation.

Inspiration An Inside Job by Aleta Pippin at Pippin Contemporary

Inspiration…An Inside Job created 2014

“I’ve created anywhere from 850 to 900 (from 2004 through 2014) at this point in time,” says Pippin. “When and why do they start changing? It’s interesting even to me.”

As you make your way through the organized chaos of Pippin’s studio, stepping over drying canvases and carefully avoiding clusters of paint bottles (“I spend a lot of time on the floor,” Pippin confesses), she will stop momentarily to explain the history and “past lives” of some of her paintings, even comparing an image of the original work with the current one. One of these reworked pieces is “Momentum,” which has existed under three different titles.

Now a lively abstraction of muted purples, bleeding blues and bursts of yellow, it was first an impressionistic nude titled “Compelling.” After deciding that a nude form was not harmonious with her current aesthetic at Pippin Contemporary, she decided to rework the piece to stay true to her abstract style. Then came the painting’s second life as a nonrepresentational “Sunrise, Sunset,” and now the layers of renewed color finally hang at the gallery as “Momentum.”

"Compelling," original paintings underneath "Momentum"

Compelling original nude under Momentum, 2012

"Momentum," 48x30" oil on canvas

Momentum, 48×30″ oil on canvas, 2014

Inspiring ideas, subconscious artistic decisions, and quick movements of color on canvas – it all happens in Pippin’s sacred studio space. The Santa Fe artist creates an energy with her work that she can feel while she paints, the same energy that her collectors take with them when they buy one of her paintings.

“I can always feel a shift when I come into the studio. I don’t know what it is, but there are positive things happening here and it feels good.”

Visit Aleta Pippin’s artist page to view more of her energetic abstractions and read her full artist statement. Don’t forget to follow us on Instagram and Facebook for more behind-the-scenes photos of Pippin’s studio!

by Alan Bamberger, ArtBusiness.com – The purpose of following list is to help increase the overall understanding of collectors (and anyone who buys art) about how the art world works, how art is viewed in terms of value, how to approach and interact with galleries and others who sell art, how to optimize transactions involving art, and most importantly, to clarify that there are many reasons to own original art other than simply financial ones. The better you comprehend the art world’s ways, the more rewarding your collecting experience will be.

***

Misconception: Art gallery owners live lives of unlimited fun and partying, and hardly ever work.

Reality: People are often attracted to the art world based on fantasies like these, experiencing only the pristine calm and refinement of gallery settings or festive art parties and show openings when in fact, selling art is a business like any other, and in many ways, a more difficult business than most. Why? Because selling a commodity that serves no practical purpose, has no quantifiable tangible value, and that no one really needs in order to survive is challenging to say the least. Owning art has numerous benefits, of course, but they’re not necessarily obvious or easy to explain.

Read more…

Riverbank acrylic/canvas 48x48" $5900

Riverbank
acrylic/canvas
48×48″
$5900

Pippin continues her path of exploration with new work for her July 2014 show. Light has always been integral to her paintings. Using various mediums and contrasting hues, Pippin’s paintings have a “glow” that expresses as backlighting. She is also a fan of technology and has been researching LED lighting over a year.

In this show, you’ll see the initial paintings using LED lighting, as well as painting on acrylic panels. Following are a few of the finished pieces.

Unlimited Possibilities mm: acrylic, acrylic panels, LED lighting 36x36x2.5"

Unlimited Possibilities
mm: acrylic, acrylic panels, LED lighting
36x36x2.5″

 

Shades of Green mm: acrylic on acrylic panels with LED lighting 36x12x2.5"

Shades of Green
mm: acrylic on acrylic panels with LED lighting
36x12x2.5″

 

How Deep Is the Ocean mm: acrylic on acrylic panels with LED lighting 36x12x2.5"

How Deep Is the Ocean
mm: acrylic on acrylic panels with LED lighting
36x12x2.5″

 

Aleta feels this is just the beginning. These paintings open the door to future work.

(by Eve Tolpa for the Santa Fean magazine, April/May 2014, reprinted with permission of Bruce Adams)

 

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