Last October, I made an important decision to change my life drastically. I decided to close Pippin Contemporary and have more time to focus on my artwork and pursue other opportunities.
I admit it – I’ve been a control freak many years of my life. I wanted so much for everything to run smoothly, for my children to do as I requested, for my husband’s business to do well (aside, he was in the oil and gas exploration business drilling wells for limited partnerships in the late 70s early 80s – disaster) and that the business I started in Houston would be successful (opened in 1984, sold in 2008). Being tightly wound, I achieved a lot, but I was taking steps that didn’t necessarily give me joy.
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Aleta Pippin is constantly evolving her creative practice. Over the course of her career the Santa Fe artist has poured, brushed and scraped; she’s worked with oil, acrylic and mixed media as well as canvas, aluminum and panel surfaces. Pippin is even known to incorporate digital and new media components into her paintings. “I continue to experiment which is key for my creative muse,” she says. “New ideas are continually born, some finding their way into new work.” Unchanging in Pippin’s process, however, is her commitment to color and the emotional effect it can have on the human psyche. “Color is my driving force,” she states.
While impressions from Pippin’s early life would become a key inspiration for her artistic career, she didn’t begin painting until 1992 upon moving to Santa Fe, New Mexico. Influenced by Santa Fe’s creative culture, she began taking classes and experimenting with various media and painting styles until honing in on acrylic and oils. In 2003 Pippin fully committed herself to her art, which she considered to be her third career after building a business and raising a family. “My passion for painting became realized when it bloomed into a full-time career,” Pippin explains. “I improved my technique and found my voice – becoming an abstract painter.”
Pippin’s July exhibition, “Here We Go Round in Circles,” is indicative of her commitment to creative exploration as well as her early and ongoing passion for painting in oils – the medium she always returns to even when continuously exploring other avenues. Her love of color, as always, is consistent throughout the exhibition. Her spontaneous nature and personal life impressions also remain constant across this body of work. “I do not plan the images,” she explains. “They are intuitive interactions created by life experience, accessing my broader knowledge. The impressions of my childhood environment express themselves in my paintings. They show up as color, freedom and energetic movement.”
Pippin’s return to oil – her original inspiration for pursuing a career as an artist – is represented in pieces like “Joy Spreads,” “Carried by the Wind” and “Summertime, Sunrise.” Circular paintings such as “Trip Through the Cosmos” illustrate Pippin’s current explorations painting in the round. For these pieces, Pippin uses a variety of tools including her hands or a spinner to move paint across the panel. The panels are painted with colored resin, which incorporates acrylic or oil paint, and are often embellished with copper leaf or gold leaf details. “Resin is an interesting medium,” says the artist and gallery owner. “It accentuates the surface yet is a visual block to the viewer. In a way it says come closer, but not too close.”
Other mixed media pieces in the show are created using this process including “Fracture II” and “Through the Portal.” Here We Go Round in Circles opens with an artist reception on Friday, July 6th from 5-7pm. Click here to preview Pippin’s work in the online exhibition catalog.
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