Join us for a Holiday block p-ART-y!

  • by Kelly Skeen
  • November 16th, 2017

This holiday season, five galleries located at the 400 block of Canyon Road will come together to host our first annual holiday block pARTy. Pippin Contemporary along with Canyon Road Contemporary, Wiford Gallery, Mark White Fine Art, Sage Creek Gallery and Ventana Fine Art will feature small works at holiday prices, host bon fires and live music and offer seasonal refreshments. Our artists have created special pieces ideal for holiday gift giving and our adobe galleries will be lined with farolitos and festive decoration, setting a spirited atmosphere for this joyful winter event.


Taking Off by Elizabeth Hahn, 12×12″ acrylic. Click here to view more work.


The Huntress by Rebecca Haines at Pippin Contemporary

The Huntress by Rebecca Haines, 12×12″ oil. Click here to view more work.

Paintings by Aleta Pippin, Gina Rossi, Cody Hooper, Elizabeth Hahn, and Rebecca Haines as well as bronze sculpture by Guilloume will be featured at Pippin Contemporary during the block pARTy. Hahn’s curtailed figurative compositions, “Wedding Moon,” “Taking Off” and “Lifesavers,” are bright and lively and each priced below $1,000. Haines will have a few special animal paintings priced at $1000. Rossi will show intimate 12×12” contemporary landscapes, also priced below $1,000, including “A Peach of a Day” and “A Day at the Beach.” Pippin’s “Angel of Joy” is a sublime, celestial abstraction that expresses the spirit of the season, while Hooper’s “Warm Horizons” and “Desert Song” are specially priced abstract paintings that inspire excitement through increased texture and movement.

A Peach of a Day by Gina Rossi at Pippin Contemporary

A Peach of a Day by Gina Rossi, 12×12″, oil. Click here to view more paintings.

Angel of Joy acrylic resin 7x5 L49015

Angel of Joy, Aleta Pippin, 7×5″ acrylic/resin. Click here to view more paintings.


Desert Song 12x12 Cody Hooper

Desert Song, Cody Hooper, 12×12″ acrylic. Click here to view more paintings.

Guilloume’s miniature bronze sculptures make personal and heart felt gifts as each one implies affectionate expressions of love and attachment. “Entrega Total,” Tu y Yo” and ‘Time to Fly” are three tabletop sculptures with romantic accompanying narratives. “A great many of the world’s creative works have been inspired by love,” says Guilloume when describing “Tu y Yo.” “For me, love isn’t an emotion. I embrace love as the only thing that matters.”

Tu y Yo by Guilloume at Pippin Contemporary

Tu y Yo, Guilloume, 8×8″ bronze. Click here to view more work.

Join us as we kick off the holiday season with artful expressions of joy, nature and love through the work of our featured artists. We look forward to celebrating the season with you on Canyon Road!


Pippin Contemporary Welcomes Childers-West

  • by Kelly Skeen
  • November 10th, 2017

Connection by Childers-West at Pippin ContemporaryChilders-West is a husband-wife duo who artistically collaborates to create contemporary steel wall sculptures with ethereal painted surfaces. Each piece has an esoteric title, such as “Divine,” “Sublime,” “Entranced” or “Eternal.” According to abstract painter Josiane Childers, these somewhat spiritual descriptions arise from her intuitive painting process. “Things end up aligning in paintings and you don’t know where it comes from,” she says. “That’s the fascinating part of painting. I don’t take it for granted; I appreciate what’s happening.”

Venture IV by Childers-West at Pippin Contemporary

Venture IV, Childers-West, 20×20″ acrylic on steel

Childers’ luminous compositions are typically inspired by the southwest landscape, which is the couple’s current environment in Phoenix, Arizona. Saturated reds, washed oranges and deep blues are reminiscent of desert sunsets and never-ending cloudless skies. Childers’ spent most of her childhood and young adult life in upstate New York, however, which also influences the work. The many lakes in that area contribute a watery feel to her painting style, while soft blue and white pigments counter warm desert tones. The sculpted metal surfaces, skillfully constructed by Justin West, also provide opportunity for fluid texture as paint drips down the smooth steel or bubbles against its bowed surface. Childers also reverse paints on Plexiglas, a challenging process that leaves little room for mistakes, which West then custom fits into his steel frames for a contemporary, three-dimensional design.

Entranced by Childers-West at Pippin Contemporary

Entranced, Childers-West, 47x 52 x 4″, acrylic on steel

West’s career as a metal artist began with his passion for working on old cars and trucks and his experience in construction and mechanics. His innovative shapes and undulating surfaces bring a distinct aesthetic to Childers-West artwork. “We have a different sense of style and are independent people,” says Childers of their partnership. “But together we’re a great team.”

Sublime III by Childers-West at Pippin Contemporary

Sublime III, Childers-West, 18 x 18 x4″, acrylic, steel, Plexiglas

Josiane Childers and Justin West met through the Phoenix Art Group in Arizona. They’ve been working together since 2006 and have been married since 2009. In their 10+ years of collaboration, they’ve sold over 2,000 pieces of artwork and continue to evolve their vision with new designs and ideas. Pippin Contemporary is proud to be newly representing Childers-West. Click here to browse their available work at the gallery.

Get to Know Newly Represented Artist Pat Matthews

  • by Kelly Skeen
  • October 17th, 2017


The opening night of Pat Matthews very first exhibition as a painter was a sell out. The Arkansas artist sold forty-eight paintings at a local cooperative gallery in Little Rock only about a month and a half after he committed to becoming a full time painter. “I always wanted to be an artist but never thought you could make a living at it,” admits Pat Matthews, who was an architect before becoming a professional painter. “I just didn’t want to be that starving artist,” he says.

Pat Matthews eventually began to take note, however, of artists who weren’t starving, but who in fact were highly successful and making a living at their trade. He approached a local professional artist in Little Rock for advice, who ended up trading Matthews painting lessons for architecture plans. Matthews was now on the path of attaining his dream, but it was also the beginning of a stressful double life where he was painting at night and working on architecture plans during the day. After several years Matthews took the leap; he abruptly quit six projects and dismantled his firm in order to focus on painting. “I’ve never looked back,” says the artist, whose painting career is still flourishing over fifteen years later.


Aspen Window by Patrick Matthews, 48×48″ oil on canvas. Contact the gallery for inquiry.

Pat Matthews paints impressionistic, thickly textured landscapes that express the artist’s invigorating experiences in nature. Aspen groves and wilderness forests are common subjects for Matthews, who mostly paints from life. An avid outdoorsman, the artist has a four-wheeler, truck and boat each set up as a traveling studio. “As you’re painting, you’re studying beauty,” Matthews says of working outdoors. “When you’re out there and in the elements there is a lot of emotion involved in the work.”

Movement by Pat Matthews at Pippin Contemporary

Movement by Patrick Matthews. Contact the gallery for inquiry.

In addition to landscapes Matthews will also show his Flag Paintings at Pippin Contemporary, which explode with pride as spirited splashes of color elevate vibrating stars and stripes from the canvas. His first Flag Painting, “American Pride,” was in response to the tragic events on September 11th, 2001. Matthews made prints of the painting and donated proceeds from the sales to the New York City fire fighters. This project led to many commissions and a series that continues today involving country and state flags. Matthews has raised money for several charities and initiatives with his Flag Paintings, including the Wounded Warrior Project.

Stars & Stripes Forever by Pat Matthews at Pippin Contemporary

Stars & Stripes Forever by Patrick Matthews, 30×40″ oil on canvas.

Pippin Contemporary is proud to now be representing Pat Matthews. Meet the artist and watch him paint in front of the gallery this weekend at the Canyon Road Paint & Sculpt Out.

Cody Hooper: Impassioned Season

  • by Kelly Skeen
  • September 28th, 2017

For Albuquerque artist Cody Hooper, summer’s annual shift to fall brings more than shorter days and cooler evenings. This time of year, when nature’s rhythm seems to slow and the air is peaceful and crisp, is when Hooper feels the most inspired in the studio. The fall months consistently spark renewed energy for the abstract artist, which leads to creative growth and innovative ideas. “Fall happens to be the season that makes me feel most alive and passionate,” says Hooper. “I’ve always felt that surge of excitement when it starts to approach.”

Garden of Dreams by Cody Hooper

Garden of Dreams, Cody Hooper, 40×70″ acrylic on panel

For his solo exhibition, “Impassion Season,” Hooper’s work embodies this seasonal surge with dynamic color changes and exciting explorations in organic texture. Hooper slings thick paint across smooth canvases and often uses heat to boil the paint into lustrous illusions of depth. For “Timeless Memories,” Hooper uses a limited color palette to bring out the textural qualities of the work. He says about this piece:

Timeless Memories by Cody Hooper at Pippin Contemporary

Timeless Memories, Cody Hooper, 60×84″ acrylic/panel.

“This was my masterpiece work of the year. It was meant to be a monochromatic scheme, focusing more in the textures against the otherwise smooth surface. It has a very denominational quality to it and with the large scale, it is a piece you can sit with and get lost in. Your mind wanders as you explore each panel. It was a piece that took months to balance out perfectly and is my favorite in the show.”

Souls Collide by Cody Hooper at Pippin Contemporary

Souls Collide, Cody Hooper, 20×20″ acrylic on panel

Hooper returns to his autumnal energy and color palette in “Garden of Dreams,” a painting that is representative of a fall landscape. “I wanted to show the play of colors that you might experience in the fall sky,” says the artist. “It has a very powerful burning orange that pops through the cool surface.” For Hooper, this is the most inspiring view of the season; when saturated colors burn against the cool, grey sky. Deep, powerful color in Hooper’s paintings equate to his personal artistic passion, so are naturally abundant in this fall exhibition. In “Souls Collide,” luminous red hues drip down the canvas, overtaking its otherwise neutral surface. “The way the reds dominate this piece shows a warm tension of almost complete change,” says Hooper.

Join us as we celebrate this “Impassioned Season” with Cody Hooper on Friday, October 6th from 5-7pm. The exhibition will remain on display through October 17th. Click here to preview new work in the online exhibition catalog.

Inspired Views Artist Spotlight: Gina Rossi & Jeffrey Beauchamp

  • by
  • September 3rd, 2017

Landscape painting is a genre that is interpreted through a range of styles and techniques, from painterly expressionism to pure abstraction. For our Inspired Views group exhibition, Aleta Pippin, Jami Tobey, Gina Rossi and Jeffrey Beauchamp offer distinct interpretations of the landscape while sharing a contemporary vision that stems from emotional expression. Last week we explored new paintings by Aleta Pippin & Jami Tobey, and this week we spotlight the work of Santa Fe painter Gina Rossi and California painter Jeffrey Beauchamp.

Land of Enchantment by Gina Rossi at Pippin Contemporary“Land of Enchantment” (left) by Gina Rossi is a 12×12” oil painting that depicts the artist’s fascination with the southwest landscape. “I feel lucky to live in Santa Fe where I am inspired almost every day to paint what I see,” says Rossi. The Santa Fe artist interprets what she sees on her panels and canvases in fluid swaths of vibrant color, allowing forms to blend together in a modern, dream-like rendering of a brilliant sunset or shadowy mountain range. Rossi captures her personal experience with the land by reflecting on her visions once she’s back in the studio. “Usually, sketches are out of the question because light and color change so rapidly,” explains Rossi of her process. “I want to get the feel of the landscape and I can’t do that by trying to capture what I see in a few minutes. I have become so familiar with the environment here that it works best for me to just stare and study and hopefully burn the image into my mind’s eye. Eventually, it all comes out in a painting.”

Jeffrey Beauchamp from Fairfax, California allows the history of landscape painting as well as his own relationship with the natural world, particularly the California coastline, to inform his gestural compositions. Beauchamp works from a classical, structured painting surface but adds layers of whimsical abstraction that result in improvised, dynamic paintings. Like many of Beauchamp’s paintings, “Sister Sulky’s Bullet Proof Hong Kong Recipe” is a piece that evolved over time. “Layers of color, ideas of light and space and even detailed people and objects come and go as the months march on in the studio,” explains Beauchamp. The first rendition of this painting (“Sisters”) contained two girls, a dog, and a rusty steam shovel, pictured below.

Sisters by Jeffrey Beauchamp

Beauchamp says of the transformation: “What I had always liked best about “Sisters” was the quality of the light glowing over the river, so once we cleared the stage it seemed to blossom. It’s funny to see how certain formal features got translated and not necessarily abandoned: the gal on the right metamorphosed into pink steam and an indigo shadow, her corona of gold light became a break in the distant sky and her sister…well, she DID get swallowed without a trace but I like to think her spirit lives in the title.”

Sister Sulky’s Bullet Proof Hong Kong Recipe by Jeffrey Beauchamp

View more work by Gina Rossi and Jeffrey Beauchamp on our website and attend the opening reception of Inspired Views on September 8th, 5-7pm at the gallery. The exhibition will remain on display through September 27th. Click here to browse the exhibition catalog. 

Inspired Views Artist Spotlight: Aleta Pippin & Jami Tobey

  • by
  • September 2nd, 2017

Artists Aleta Pippin, Jami Tobey, Jeffrey Beauchamp and Gina Rossi will present contemporary visions of the landscape in their upcoming group exhibition, Inspired Views, opening Friday, September 8th, 5-7pm. The artists offer modern interpretations of typically traditional subject matter through their own distinct styles, which are guided by an emotional, visceral response to nature. This week, we’re highlighting the work of Aleta Pippin and Jami Tobey, two painters whose work is fueled by the versatility of their materials, the emotional resonance of color, and their dramatic desert surroundings.

Aleta Pippin fully abandons the classical techniques of landscape painting in favor of abstraction. Pippin’s current environment in Santa Fe as well as memories of her childhood in southern California has instilled in her an awe-inspiring view of the desert. The artist recalls the desert’s ever-changing light as she explored the San Jacinto foothills as a young girl, with rose-colored skies descending over craggy mountain ranges. Light and color are Pippin’s driving sources of inspiration; these elements along with a fluid and intuitive painting process allow Pippin to reveal her personal relationship with the landscape, which is one of freedom and adventure.

The Journey by Aleta Pippin at Pippin Contemporary

The Journey is a 54×18” atmospheric oil painting that Pippin has created for Inspired Views. Pippin says of this painting: “I like the color and light in this piece. When I was a child the idea of climbing the first hill to see what’s there was an inspiration for hiking. This painting feels like if you climb the foothills and continue on, you’ll eventually reach the furthest pinnacle. It’s also a metaphor for life’s adventures and challenges as we (hopefully) become wiser as a result of those opportunities.”

The same environments that permeate Pippin’s canvases also come through in Tobey’s work. The stylized landscape painter grew up in Santa Fe and currently lives in southern California, where broad skies and billowing clouds dominate the artist’s views and compositions. Color also plays an important role as “it sets the tone and decides the atmosphere” of each piece. Mountains and mesas adorned with metallic ink are blanketed with a celestial glow as clouds swirl through vivid hues above, guiding our attention skyward.

Desert Chorale by Jami Tobey at Pippin Contemporary
“Desert Chorale” is a new mixed media piece in the show that pays homage to New Mexico and its spectacular skies. Tobey says of this painting: “Desert Chorale has an element of collage, which I’m really interested in right now. I love paper and its versatility, especially how it can add to the story of the painting. In the case of Desert Chorale, I used a map of New Mexico. I love the crispness of the story of this painting, with the big New Mexico skies and rolling landscapes. I come from the perspective that the real landscape is in skies, and I like bringing that feature into my work.”

View the Inspired Views group exhibition catalog here and be sure to browse more new paintings by Aleta Pippin and Jami Tobey on our website.

Bronze Sculptor Guilloume: Family Ties Inspire New Work

  • by Kelly Skeen
  • July 14th, 2017
Time to Fly by Guilloume at Pippin Contemporary

Time to Fly, Guilloume, bronze

Colombian artist Guilloume’s rich personal relationships provide ample inspiration for his figurative bronze sculptures and wall reliefs. The Albuquerque artist grew up in Medellin, Colombia with nineteen siblings and two loving parents. Guilloume’s mother encouraged his artistic tendencies when he was a boy and instilled in her son a belief that he could achieve anything he put his mind and heart to. Now a passionate family man with a wife and four children of his own, Guilloume uses his artwork to express the intimate emotions felt between family and friends. Memories from his youth, adult interactions with siblings and his current family dynamics permeate his work.

Rather than focus on physical accuracies, Guilloume molds faceless, rounded forms from clay that convey the essence of a human figure. Intimate gestures and subtle interactions express familiar emotions between friends, lovers and family members. Many of Guilloume’s latest wall reliefs depict large groups of connected figures who seem to be entrenched in conversation as they lean towards each other with cocked heads or hold each other in a tight knit huddle. These groups are inspired by Guilloume’s extensive family tree. “Twenty,” a long narrow relief with twenty connected figures, pays homage to the number of children his mother gave birth to. Guilloume says in the accompanying narrative, “My mother, Aurita, gave birth to twenty children, and although thirteen of us survived to lead full and rich lives, we scattered like the wind and took up residence in various geographic locations. She sometimes remarked that it was her dream to someday see all her children in one place at one time. I created ‘Twenty’ in honor of my mother’s memory.”

Twenty by Guilloume at Pippin Contemporary

Twenty, Guilloume, 12×48″ bronze wall relief

“Eleven” pays homage to Guilloume and his ten living siblings, while “Our Generation” depicts Guilloume with his seven brothers. The latter was inspired by a photograph taken on the last day of a family reunion in California where 62 of Guilloume’s family members gathered for a weekend retreat. As the photograph was taken, Guilloume nostalgically realized that it could be the last time he and his brothers stood together at the same place in the same moment. He wistfully recreated the photograph as “Our Generation,” a 20 x 36” bronze wall relief with figures that distinctly represent each of his brothers and himself. Guilloume explains:

“From left to right, the figures include my quiet brother – he who shares his pain and fears with no one; my brother the doctor (complete with stethoscope); my oldest brother, the agricultural engineer and writer; and my brother the ideologist, poet, painter, photographer, and forever the lovable starving artist. The next four figures include the shortest of my brothers, who compensates for his stature by being the smartest, most spiritual, and most successful of my siblings – an engineer and accomplished businessman; my bohemian brother – la oveja negra (the black sheep) de la familia; my brother the astronomer, who passed away several years ago and was not actually in the photo, but was remembered by us all and was there in spirit that day; and of course, that’s me on the end, Guilloume.”

Our Generation by Guilloume at Pippin Contemporary

Our Generation, Guilloume, 20×36″ bronze wall relief

Eleven by Guilloume at Pippin Contemporary

Eleven, Guilloume, 24×48″ bronze wall relief

Guilloume’s latest works are heartfelt expressions of familial love. They will be on display at the gallery for the artist’s solo exhibition, which precedes the Contemporary Hispanic Market in downtown Santa Fe. The show opens Friday, July 28th at the gallery from 5-7pm. Learn more about Guilloume’s 23-year history at the Contemporary Hispanic Market in the press release announcing his exhibition.

Exhibition Catalog

Emotional Expressions in Color: Painters Spotlight

  • by Kelly Skeen
  • June 24th, 2017
Spring Light by Liz Barber at Pippin Contemporary

Spring Light, Liz Barber, 40×30″ mixed media

The combination of painted line, ethereal color movement, vivid patterning and sculptural luminosity will blend together for a bold and dynamic visual display in “Emotional Expressions in Color,” opening July 7th from 5-7pm at the gallery. This group exhibition will highlight the work of sculptor Suzanne Wallace Mears alongside painters Stephanie Paige, Liz Barber and Elizabeth Hahn. The painters in the show compliment each other’s aesthetic; Stephanie Paige’s horizontal hues ground us in a meditative color experience while Liz Barber’s bursts of floating forms excite our psyche. Elizabeth Hahn brings us back to reality with her figurative work, which also continues to immerse us in vibrant displays of color but with whimsical patterning.

Paige’s symmetrical compositions typically lend themselves to square and rectangular picture planes, however for this exhibition the artist has produced circular shaped paintings with a similar aesthetic. In “Be True” and “Luna’s Ocean,” variations of a single color tone blend together and are balanced around a contrasting line of pigment. Pleasing for our eye and mind, Paige’s pigment and plaster paintings are representative of awe-inspiring moments found within the natural world.

Be True by Stephanie Paige at Pippin Contemporary

Be True, Stephanie Paige, 36″ diameter, mixed media

Barber is similarly inspired by nature and it’s seasonal rhythms. The Georgia artist favors the springtime when waves of color and intriguing shapes begin to emerge from the environment. Barber’s excitement for the season shows in her work; many of her paintings are named for the spring season’s cool rain, soft light and sweet song. “I typically focus on botanical elements,” says Barber of her work. “Buds popping out on tree limbs, flower petals emerging, grass pushing through the ground…this is the inspiration for this body of work.”

Spring Song #7 by Liz Barber at Pippin Contemporary

Spring Song 7, Liz Barber, 36×60″ mixed media

Hahn has a more representational and POP art approach when it comes to portraying her experience with nature. The Santa Fe artist inserts curtailed figures into her snapshot compositions of juxtaposed patterns and bright colors. Most of her work is focused around feet and their intimate interaction with the environment; blue high heels dance across wood floors while patterned cowboy boots traverse a desert environment. “Walking has always been my exercise, my therapy and where all my ideas for art come to me,” explains the artist of her preferred subject matter. Hahn’s body of work is a joyful reminder of life’s simple pleasures and wondrous views, while acting as a welcomed contrast to the otherwise abstract aesthetic of the exhibition.

Are You Late for a 10:30 Class by Elizabeth Hahn at Pippin Contemporary

Are You Late for a 10:30 Class?, Elizabeth Hahn, 30×30″ acrylic

Join us for the opening reception of this exuberant exhibition on Friday, July 7th from 5-7pm at the gallery. Preview this show by browsing the online exhibition catalog.

Emotional Expressions in Color: Sculptor Spotlight

  • by Kelly Skeen
  • June 15th, 2017
Desert Dreamer by Suzanne Wallace Mears at Pippin Contemporary

Desert Dreamer, Suzanne Wallace Mears, SOLD

Emotional Expressions in Color opens this July as a powerful display of emotive energy, from meditative abstraction to whimsical realism. Suzanne Wallace Mears is the only sculptor in the exhibition of four artists; her work plays an important role in breaking the show’s two dimensional boundary with a striking display of sculptural luminosity. Stephanie Page‘s soothing yet vivid color palette, Liz Barber‘s joyous abstraction and Elizabeth Hahn‘s vibrant patterns are each physically embodied in Mears’ tabletop vessels and totems, which are infused with the spirited personality of the Oklahoma City artist.

“My totems are flamboyant, whimsically named and conjure up pure fun,” says Mears, who approaches her work in an abstract manner but with a specific theme and color palette in mind. Each piece takes on its own eccentric persona from the artist’s imbued energy, from the whimsical “Alligator Swag” and “Awesome Frank” to the mystical “Desert Dreamer” and “Spirit Memories.” Below are some of the artist’s personal contemplations on her latest work.

“Rain Dance represents how it feels to play out in the pouring rain, while Little Reef Knight is that little elusive reef fish peering out from a hiding place in the coral. The Vegetarian with rust, green and a topknot of handout plasma cut steel seems like it could be a culinary delight. Alligator Swag is a cocky alligator dressed up for a night in the glades, and Amber Waves is about the wheat fields and blue skies, lazy days and easy thoughts.”

Mears cuts flat sheets of glass and layers them to fire flat in her kiln, incorporating embellishments such as copper, wire and dichroic glass into their shapes. Multiple firings at anywhere from 1200 to 1500 degrees are often required for the artist’s desired effect, with pieces remaining in the kiln for days at a time. “It’s a delightful, challenging dance,” says Mears of her process.

Vibrant, luminous color is the driving force of inspiration for Mears and is the common thread that connects the four artists represented in Emotional Expressions in Color. Learn more about the exhibition here, which opens Friday, July 7th from 5-7pm. Browse Mears’ full inventory on her artist page of our website.

Suzanne Wallace Mears Pippin Contemporary Artist

See Exhibition Catalogue.

Behind the Paintings: Rebecca Haines, “Animystic”

  • by Kelly Skeen
  • May 3rd, 2017

Curiouser & Curiouser by Rebecca Haines at Pippin Contemporary
“Curiouser and Curiouser” (pictured above) by Rebecca Haines is the largest oil painting in the Santa Fe artist’s upcoming solo exhibition, “Animystic.” Measuring five feet tall and four feet wide, it’s also one of the first paintings she’s created at this scale. “I like working in this size,” says Haines of her recent exploration with larger paintings. “It’s a cool feeling because I’m not just putting these animals down; they have as much power in the conversation as I do.”

In “Curiouser and Curiouser,” a bright-eyed deer stares out from the center of the panel, captivating the viewer with its determined gaze while a larger-than-life magpie looms overhead. Haines’ animals show up on her panels as abstract essences of their physical selves, acting as spiritual emissaries that evoke larger narratives or symbolic notions. The deer, for example, is a recurring figure in Haines’ work that is typically used as a self-portrait as the artist personally resonates with its gentle and elusive nature. The magpie carries a more traditional meaning as a messenger of things to come; it can be seen as a good or bad omen depending on the number of birds encountered at once. The deer and magpie are painted together in “Curiouser and Curiouser” with a vibrant palette under a golden sun, representing a shift in the seasons and well as shifts in the artist’s life.

For as Long as I'm Here by Rebecca Haines at Pippin Contemporary

For as Long as I’m Here, Haines, 30×30″ oil/panel

Haines committed full-time to her growing art career last spring affording time and space to embark on new experiments in the studio, such as painting on a larger scale. Haines’ work has also evolved to become more abstract with looser marks and gestural animal silhouettes that symbolize the transience of human kind. “For as Long as I’m Here” is a painting that embodies this idea of temporary life. “When I started this piece I had planned for the head to dissolve or disappear,” explains Haines. “But then I decided I was stronger than that. I may be dissolving but I’m still very grounded. Life is temporary but as long as I’m here I want to keep putting my work out there.”

“Animystic” runs May 24th through June 6th and is Haines’ first solo exhibition at Pippin Contemporary since she began painting full-time. Her new paintings embody the artist’s uninterrupted inspiration and are each a personal outpouring of Haines’ visceral response to the world around her. To witness the artist’s process, visit Pippin Contemporary during the Canyon Road Spring Arts Festival on Saturday, May 13th where Haines will paint in front of the gallery along with other participating artists. You will also have the opportunity to meet Haines at the opening reception of “Animystic” on Friday, May 26th from 5-7pm. Click here to preview new work in the online exhibition catalog.

In the Beginning by Rebecca Haines at Pippin Contemporary

In the Beginning, Haines, 18×18″ oil/panel